Monthly Archives: October 2020

LucasArts Time Machine: Maniac Mansion


I haven’t been playing much that’s new recently, so after a gap of several years I have decided to do another one of my concept pieces whereby I play through an older game series to see how it evolves over time. Unlike my prior attempts, because we are currently in the middle of a pandemic, and more importantly because I have half of the games already played and written up, I’m 90% sure I’m actually going to finish this one. The series in question is the point and click adventure games made by LucasArts in the late 80s and early 90s, and the reason I decided to do this is because I haven’t actually played most of them — I haven’t played anything before Monkey Island, and I haven’t played Full Throttle, or Sam & Max, or Indiana Jones And The Fate Of Atlantis. So this is going to be just as much a learning experience for me as it is a trip down memory lane, as I fill in some missing gaps in my gaming history and hopefully learn a little something about the evolution of adventure games in the process.

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Thoughts: Spelunky 2


Spelunky 2 poses a problem rarely encountered by videogame developers: how do you follow up a game that’s already perfect?

Note that by “perfect” I do not necessarily mean “the best”. Art is subjective, and not everyone likes Spelunky, and that’s fine. However, I struggle to think of a game that hits all of its design goals with the unerring accuracy that Spelunky does. Everything in Spelunky meshes together so well to create an endlessly replayable dungeon-delving platformer roguelike, and there’s no wasted effort on extraneous, unnecessary features that bloat the game and don’t contribute anything to those design goals. Doing the usual sequel thing of adding new levels, items and features is going to be like adding a fifth wheel to a car, while taking anything out to make room for those new features is just going to create the dreaded Reliant Robin of games.

Having to make a sequel to a perfect (or almost-perfect) game is not something that happens often; of the few examples that do exist, the one I’d point to is when Nintendo had to follow up Super Mario 64 with a launch Mario title for the Gamecube. Mario Sunshine was a decent game which tried some new and interesting things with its water-spraying mechanics but which, ultimately, did not come together anywhere near as elegantly as the dead simple 3D platforming mechanics in 64. That’s fine. You can’t make every game a classic, and Mario Sunshine is still a lot of fun to play and a very worthwhile experience even if it ended up standing in the shadow of its predecessor. I think I would have understood if Spelunky 2 had ended up being the Spelunky series’ Mario Sunshine; I would have been a little disappointed, sure, but I would have respected the attempt and probably, eventually, enjoyed the game for what it was, just like I did Mario Sunshine.

Instead, what Derek Yu has made here is essentially Kaizo Mario 64. It’s the same game as before, but with all of the dials turned up to 11, and then turned all the way around again until the dial breaks. It’s Spelunky 1 for streamers and speedrunners; it’s Spelunky 1 if it were squarely targeted at the 1% of players who think Hell runs are too easy. It’s Asshole Spelunky. And I do not like it.

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Thoughts: Hades


The impossible finally happened: Supergiant Games have made something that I unambiguously like.

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Thoughts: A Monster’s Expedition


A Monster’s Expedition is a charming little puzzle game about pushing logs.

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