LucasArts Time Machine: Full Throttle

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Prior to playing it for this series, I would have sworn that Full Throttle belonged firmly in my “unplayed” category of LucasArts classics. “Unplayed” isn’t an exact description, as I did have access to most of them at the time and the ones that I didn’t I’ve since picked up on GOG, but anything in this column I’ve not played for much more than twenty minutes — the amount of time it takes to boot it up, think “That’s neat!” (or not1), and then immediately forget about it for the next decade or three. In Full Throttle’s case I had very distinct memories of playing through the opening biker bar segment three or four times and absolutely nothing after that, since I hadn’t played past that point.

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  1. Hello, Star Wars Rebellion.
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LucasArts Time Machine: Day Of The Tentacle

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This one is going to be tricky. Everything I am about to write is, in a way, largely redundant, because I already wrote an In Praise Of post about Day Of The Tentacle back when I still wrote In Praise Of posts, and I also reviewed the Remastered version when it came out in 20161. I think it is a strong contender for the best adventure game ever made, it’s probably also the smartest adventure game ever made, and Day Of The Tentacle is the one game in this series that I actively go out of my way to replay every few years. Because of this, it’s also the one game in this series where I have the entire solution already memorised. I don’t need a walkthrough to beat Day Of The Tentacle. I’ll never need a walkthrough to beat Day Of The Tentacle.

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  1. Which is a pretty decent piece of work, and it would have been the one I played today if I weren’t specifically trying to play the version that was originally released in 1993.
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Thoughts: Project Wingman

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Project Wingman is an interesting one. It’s an indie take on the arcade-style fighter jet shenanigans of the Ace Combat series that’s been made by a tiny team with a fraction of the budget that a full Ace Combat game would get, but which is attractive to me for precisely that reason. I have never played an Ace Combat game, mostly because the trailers all tend to feature a rather larger quantity of pre-rendered cutscenes and interminable voiceovers than I’m really comfortable with in what’s supposedly an arcade shooter. I bought Project Wingman in the hope that an indie approach to it would cut all of that extraneous stuff out (because it doesn’t have the budget for it) and instead focus all of its resources on the part of Ace Combat that I’m actually interested in: re-enacting Top Gun with a console controller.

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LucasArts Time Machine: Indiana Jones And The Fate Of Atlantis

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Indiana Jones And The Fate Of Atlantis is second on the list of games I was most looking forward to playing for the first time as part of this series. Unlike most of the other games on that list it’s only ever referred to as a stone-cold classic — both at the time and by anyone you ask about it today — and I also quite liked Indiana Jones And The Last Crusade despite that game being comparatively clunky and obtuse by modern standards. The concept of an Indiana Jones adventure game clearly has legs, and I was excited to play something wholly original that wasn’t shackled to a movie script, and which had been developed during LucasArts’ true golden age.

Imagine my surprise, then, to discover that, contrary to everything I’d heard about it over the last quarter-century, Indiana Jones And The Fate Of Atlantis fucking sucks.

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Thoughts: Creeper World 4

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Creeper World 4, then. I do enjoy tower defence as a genre and have got on famously well with games such as Defence Grid and Defender’s Quest and even the ancient Flash classic Desktop Tower Defence, but I’ve never managed to get into the Creeper World series. I think this is down to the series’ gimmick, where rather than defending against waves of enemies who rush in from offscreen to charge through your gauntlet of towers, you’re instead engaged in more of a hybrid RTS experience where you aggressively shuffle towers around the map to beat back a huge, constantly growing mass of purple goo called the Creeper that destroys everything it touches. It’s an interesting spin on the concept, and the guy behind Creeper World basically really likes making games out of simulations of cellular automata so the Creeper has always behaved like a believable fluid, pooling and flowing realistically before surging towards your woefully underprepared defence line. Unfortunately that hasn’t been all that clear up until this point, because the previous three Creeper World games were all top-down 2D affairs where you couldn’t really get a good impression of the true scale of the Creeper infestation; I ended up feeling more like I was fighting a war against the colour purple than I was a all-consuming blob monster and fell out of Creeper Worlds 2 and 3 quite quickly as a result.

Which, in a roundabout way, also explains why Creeper World 4 has been the one to finally click with me: it’s the first title in the series to go fully 3D, and so for the first time I am able to see just how sodding enormous the mass of Creeper bearing down on my base really is. This one change transforms Creeper World from what was ultimately a fairly standard turtling RTS game into something far more distinctive — and fun.

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Thoughts: Per Aspera

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I’m going to state up front that I really wish Per Aspera had turned out differently. My last few reviews have been reasonably negative, and contrary to appearances I don’t like slating bad games all that much; at the very least it becomes exhausting to do it five or six times in a row, so I was hoping that Per Aspera would break that streak. More to the point, though, is that I have been waiting the better part of two decades for somebody to make a game about terraforming Mars. Per Aspera should have been extremely my jam. It definitely looked extremely my jam when I played the demo, with all of the levers I was expecting like modifying atmosphere content, raising the temperature, melting the ice caps and so on. Finally, I thought, somebody has made the terraforming game that Surviving Mars wasn’t, and which Terraforming Mars was a bit too light to really satisfy my urge for1. I tinkered for around twenty minutes and then put the demo down, not wanting to have to repeat (or spoil) myself too much when I played the full product.

In retrospect this may have been something of a mistake, because if I’d played that demo for just a bit longer I might have noticed that Per Aspera is the most broken game I’ve played this year.

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  1. This is not the fault of Terraforming Mars, which is a good boardgame precisely because it keeps things light and abstracted enough for a small group of people to grasp and play in a couple of hours.
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